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Kamis, 15 April 2010

“Salute Your Shorts: Nash Edgerton's Pulp Fictions - Paste Magazine” plus 3 more

“Salute Your Shorts: Nash Edgerton's Pulp Fictions - Paste Magazine” plus 3 more


Salute Your Shorts: Nash Edgerton's Pulp Fictions - Paste Magazine

Posted: 15 Apr 2010 12:36 PM PDT

Salute Your Shorts is a weekly column that looks at short films, music videos, commercials or any other short form visual media that generally gets ignored.

When Nash Edgerton's The Square opened in theaters last Friday, viewers were shown not just the feature they came for but also a treat beforehand in the form of Edgerton's short film "Spider." The short has actually been around for a while, making its rounds in the festival circuit during 2008 and winning various awards, but that project and The Square came after more than a decade making shorts and music videos on the side while Edgerton was earning his living as a stunt man. Unsurprisingly, his films are primarily action oriented and even when they're not, they're usually populated by b-movie criminals and stock low-lifes, a tendency that both informs and inhibits nearly everything he's touched.

Edgerton's directorial debut was 1996's "Loaded." Already he was working with a lot of the other members of the Blue-Tongue Film Collective that he's still part of today, though back then he was shooting in black-and-white video rather than 35mm film. "Loaded" centers around a few neighborhood thugs who get in a fight over pretty much nothing. No one's particularly developed, but that isn't the point; all Edgerton needed was a premise to make a cool action sequence. He explained this in an interview with Slant, saying, "In my aim to get more jobs as a stunt man, I had this idea that if I shot an action sequence from a movie and put it on my reel, that people would think I worked on a movie and then give me a job." When his brother Joel finished studying at the Nepean Drama School in Sydney, the two soon began working together and "Loaded" was one of the earliest results from the pair's need to create demo reels to attract work as both actors and stuntmen.

"Loaded" is not a great film, largely a result of its confusing story. But its frenetic chase sequence does show off some basic acting skills and an understanding of how to keep interest through action alone. Edgerton edited the piece himself and though the movie's longer than it needs to be and fairly disorienting, the piece is still better than it really has any right to be. Particularly important is the handheld camera use, a necessity here, but something Edgerton has continued working with since then.


A year later, Edgerton directed "Deadline" for Tropfest (a short film competition held in Australia) that was a significant step up from "Loaded" and won him first prize at the event. In it, Edgerton himself stars as a man running a fairly stereotypical race against time. The route he takes is tailored to accentuate different stunts, such as falling down stairs, hitting people and even skateboarding. It's like a sequence drawn from any action movie made starting in the late '80s, the twist being that the film is actually about Edgerton turning in a film for Tropfest, and not only that, but Edgerton got the date wrong. At three minutes long, the short doesn't overstay the welcome of its clichéd running sequence. In general, Edgerton's funnier films tend to be a lot more interesting because it makes the lack of depth in his characters less important. There's little more to the film than some cool stunts and a quick laugh, but what's not to like about that?

In contrast to this came 1998's "Bloodlock," which Edgerton once again directed with fellow Blue-Tongue member Kieran Darcy-Smith (who worked with Edgerton previous on "Loaded"). Twenty-six minutes long, the film focuses on the effects of a man being unable to pay back drug dealers and the fallout it causes has for his family and friends. Unfortunately, the short is kind of a mess. It's a series of standard action movie tropes that's more clichéd than something Luc Besson's dumped out. The film's relationships end up somewhat unclear, as do everyone's motivations, but aside from that there's the question of why it's important anyway since nothing in the film hasn't been shown on TV innumerable times before.

In a sense, my feelings about The Square, which is reviewed in an upcoming issue of Paste, are similar to mine for "Bloodlock," though the feature is quite a bit more accomplished. If Quentin Tarantino is cursed (through his own choice) to spend the rest of his life twisting around B-movie tropes and using them in new ways, Edgerton seems for the most part interested in simply recreating them. The Square is a well-crafted noir, but we've seen those before and not much in it recommends the film above anything before it. "Bloodluck" is an action-filled drug story, but those are a dime a dozen and there's not much of an original spin put on things. Edgerton likes pulp stories, but he's a re-creator, not an innovator.

Edgerton's 2001 follow-up, "The Pitch," is both a joke about this sort of pulp devotion and an implicit commentary about the films Edgerton makes. In it, an actor is explaining to a producer why his film needs to be made in the hope of obtaining funding. This begins simply: "Ok, so there's this guy and this girl. They're being chased by this group of guys. Why? It doesn't matter." As the narrator gestures through the rest of the movie, Edgerton intercuts a series of ridiculous action sequences including chases, explosions, jumps and pretty much everything else you can think of. The joke of the piece is that this is all for a short film, but it's hard to listen to the pitch without thinking about how the stock guy and girl being chased by whatever as an excuse for action is really all Edgerton's ever been interested in. It's not bad (everything shown in the film is exciting and it's all pretty funny), but there's quite obviously little else there.

Following "The Pitch," Edgerton began working in music videos. He went in two directions with this medium, splitting between genre recreations similar to his shorts and relatively (read: very) bland and unmemorable works that look like music videos made by anyone else. In the first category are his videos for Shihad's "Comfort Me" and Eskimo Joe's "Liar." This has continued up through even his 2009 video for Bob Dylan "Beyond Here Lies Nothing." These refined his skills but generally aren't as good as his films. That being said, at least they're recognizably Edgerton's. His videos for Ben Lee and Missy Higgins seem like nothing more than work for hire and, while showing an increasingly strong grasp of his craft, don't go anywhere special. Edgerton's work in shorts would seems like it would cross over to music videos, but a Michel Gondry or Spike Jonze he is not. (Admittedly, not many are, but still.)


If I've been ragging a bit on Edgerton's works so far, it's because,  due to his interest in action rather than content and a lack of formal training, it took him a while to put out anything special. In 2003, though, Edgerton put out the first of his truly great shorts, "Fuel." The biggest improvement "Fuel" shows over his earlier films is how well developed its characters are. With naturalistic acting, a couple drives lost into the woods and jabbers back and forth about nothing at all, giving off a feeling of closeness without being forced. When they run out of gas, they meet a woman at the side of the road who tells them a station is up ahead and the man heads over, leaving his pregnant wife at the car.

Upon returning to the car, the woman they met is gone and soon Edgerton's love for pulp returns when through a plot twist his wife transforms into some sort of monster and attacks him, referencing some comments made earlier. The suddenness of this tonal shift is perfect, as is the short's explanation of events. Edgerton's take on horror here isn't revolutionary but it is extremely polished and for the first time fully developed. It's an almost classically told story that never loses focus, unlike the works Edgerton has directed based on scripts by his brother. Plus, it really made me jump out of my seat.

Two years later Edgerton released "Lucky," which, as usual, is a take on a typical crime drama. Here, a man is tied up in the trunk of a car, which we soon learn is headed out without a driver. He escapes the trunk and manages to stop the car, but when he turns the key everything blows up. In a way, "Lucky" is less of a film than a sort of tech demo for what Edgerton could do as a stunt coordinator. That being said, what he can do is pretty damn impressive. The entire movie is a cliché of ridiculous proportions, but it's also one of the most virtuosic bits of stunt work I've ever seen.


In his two most recent shorts, Edgerton has finally been edging away from pulp and I don't think it's a coincidence that both were co-written by Edgerton and David Michod rather than Edgerton's brother Joel, who unfortunately wrote The Square. The premise of "The IF Thing" is that "With 4 weeks and a budget of $5,000 IF Media approached filmmaker Nash Edgerton and Blue-Tongue Films to produce video insert material for the 2005 Lexus Inside Film Awards." I'm really not sure how much, if any, of that is true, but it was a fertile idea for a faux-documentary. Edgerton, playing himself, decides to take the money in cash and just spend it on whatever the hell he feels like for the next few weeks while someone films him doing so. IF Media still has a guy around to check up on the inserts, but Blue-Tongue methodically keeps him away from knowing what their project is about and instead leads him on in thinking that they're doing nothing at all. It's the most original idea Edgerton has directed, not in filming the way he uses money (which has been done before), but in the film's focus on an elaborate filmmaking practical joke. The film drifts towards standard crime movie towards the end when Blue-Tongue threatens the overseer with typical mob-style drowning, but even this feels earned as just one more part of this elaborate hoax. The short is 10-minutes of quality entertainment and definitely the funniest thing Edgerton has directed by far.

Most recently, Edgerton's "Spider" won a pile of awards for its depiction of an arguing couple that turns tragic. Imbued with some dark slapstick humor, I'm not going to say much more about the film so I won't give away what happens to those who do intend on checking out The Square in theaters. A particular oddity to this pairing is that "Spider" is significantly more enjoyable than the feature it's accompanying. Like the films that came before it, "Spider" finally had truly well-written and acted characters without a reliance on murky plotting or pulp clichés, which end up keeping the otherwise well-directed The Square from becoming a great film. Edgerton is said to be working on developing his next film, but my hope is that he'll put out a few more shorts of the quality he's been producing since 2003 instead and continuing to turn away from his natural inclinations as a stunt man.

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10 Awesome Facts About Our Universe - Associated Content

Posted: 15 Apr 2010 11:10 AM PDT

There are thousands of amazing facts about our universe, some that haven't even been discovered yet, others are just plain awesome. Here are ten facts about our universe, galaxy, and a few things in between. Enjoy learning more about our very big home outside our home called earth.

1) Did you know our universe is some where around 12-13 billion years old? And that is just an estimate. Can you imagine being that old?

2) I am pretty sure every one has heard this fact. Pluto is no longer considered a planet. Why is not considered a planet anymore? Because it no longer meets the criteria or category requirements that would put it in the same category as the other planets in our galaxy. It is now classified a Dwarf Planet.

3) Halley's Comet which is visible only 75-76 years, actually dates back in history as far as 12BC, if not farther. No one knows exactly how far back it was noticed, but it was noticed by some of our oldest civilizations.

4) Did you know that the surface of the sun is way cooler then its center? The surface is only around 6,000k (5,500c), while the center is a knock out temperature of 13,600,000k (13,599,726.8 c). Quite a dramatic difference between the two.

5) Did you know it takes 8 ½ minutes for sunlight to travel to earth? So technically when you watch the sunset it already happened 8 ½ minutes before. That is the weirdest fact I found so far.

6) Only 5% of matter is actually visible in our universe, while the other 95% is made up of dark matter and energy, which is invisible.

7) When we study stars we are actually studying how they were thousands of years before, because of how long it takes for light to travel the universe.

8) There are three most common elements in our universe, hydrogen, helium, and oxygen.

9) Litter laws do not apply in outer space... there are around 10,000 pieces of equipment floating around our planet, part of which are working satellites, while the majority is made up of debris.

10) Now this is a fact that many get wrong... what was the first animal in space? Was it a monkey, ape, rat? Nope, it was a dog. That's right a dog.

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Multiple outstanding warrant arrests in Carneys Point ... - The Star-Ledger - NJ.com

Posted: 15 Apr 2010 07:57 AM PDT

By Today's Sunbeam

April 15, 2010, 10:56AM
carneys point police.jpgCarneys Point Police have arrested three people on outstanding warrants, one for driving with a suspended driver's license.
CARNEYS POINT TWP. — Benjamin E. Dancer III, 44, of South Pennsville-Auburn Road in Carneys Point, was arrested Monday at 11:50 a.m. on an outstanding warrant out of Pilesgrove Municipal Court in the amount of $3,501 for allegedly driving while intoxicated, police said. He was lodged in the Salem County Correctional Facility in default of bail.

Other police activity:

Today's Sunbeam contacts by telephone all state and municipal police departments in an attempt to collect reports on crimes and accidents within or near Salem County. Efforts to collect reports are affected in some cases by department procedures for releasing information.


• Wayne A. Bentley, 40, of Donna Drive in Pedricktown, was arrested April 7 at 5:01 p.m. on two outstanding warrants, one out of Camden City Court in the amount of $541 and another out of Logan Township Municipal Court in the amount of $81, police said. Bentley was lodged in the Salem County Correctional Facility in default of bail.

• Shakirah S. Daniel, 22, of West Pitman Street in Penns Grove, was arrested April 8 at 3:20 a.m. for allegedly driving on a suspended license and displaying fictions plates, police said. She was released pending a court date.

• Charles E. Adams, 21, of West Harmony Street in Penns Grove, was arrested on April 9 at 1:57 a.m. on an outstanding warrant out of Penns Grove Municipal Court in the amount of $251, police said. He was released on his own recognizance pending a new court date.

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Moderate alcohol good for sick hearts - Zee News

Posted: 15 Apr 2010 03:32 AM PDT

London: Regular and moderate alcohol consumption is beneficial for people who had a previous heart attack or other ischemic vascular events, a new study has concluded.

The study was performed by the Research Laboratories at the Catholic University of Campobasso, Italy. It claimed that moderate consumption, defined as one or two glasses of wine a day or the equivalent amounts of beer or other alcoholic beverages, significantly reduces the risk of death from any cause in those who already suffered from ischemic vascular disease.

The research, published in the Journal of the American College of Cardiology (JACC), was performed using the statistic procedure of meta-analysis which allows to combine different studies conducted worldwide to achieve more precise results.

Researchers analyzed the most important scientific studies performed during the last years. Eight in total in four Countries: United States, Sweden, Japan and Great Britain. Each study took into account patients already affected by an ischemic vascular event. During the years following the disease onset, patients were followed by researchers to know which were the lifestyle habits, including alcohol consumption, able to avoid a new clinical event. The meta-analysis allowed to pool all those studies for a total of 16,351 people examined.

"We observed," says Simona Costanzo, epidemiologist and first author of the study, "that regular and moderate consumption has beneficial effects even for people already affected by heart attack, or stroke. Not only they are less likely to be affected by similar diseases again, but all-cause mortality too resulted to be lower than in those who did not consume any alcoholic beverage".

The effect is very similar to that observed in healthy people. "Risk reduction", Costanzo argues, "is about 20 percent. This means that one event out of five can be spared. It is a huge advantage, comparable to the one already recorded for healthy individuals".

"When we talk about moderate alcohol consumption, we mean something quite far from what we use to see in TV fictions," says Licia Iacoviello, Head of the Laboratory of Environmental and Genetic Epidemiology and responsible of the Moli-sani Project. "We refer to moderation as drinking regularly, at low doses, within a healthy lifestyle, such as the Mediterranean diet. A glass of wine or beer during meals has always been an integral part of the Mediterranean way of eating. Our research highlights another crucial issue: drinking has not only to be moderate, but also regular. A moderate consumption spread along the week is positive. The same amount of weekly alcohol, concentrated in a couple of days is definitely harmful".

PTI

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