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Sabtu, 26 Februari 2011

“SEC Freezes Dallas Hedge Fund Manager’s Assets - Hedge Fund Net”

“SEC Freezes Dallas Hedge Fund Manager’s Assets - Hedge Fund Net”


SEC Freezes Dallas Hedge Fund Manager’s Assets - Hedge Fund Net

Posted:

The Securities and Exchange Commission ran into court to freeze the assets of a Dallas hedge fund manager who allegedly raised more than $4 million from investors, including a former Dallas Cowboy.

The order freezing the assets of Christopher Blackwell, 32, was unsealed by the Texas federal court Thursday.

Blackwell raised money by telling investors various fictions, the SEC alleged, including that their money was safely in fixed-income trading programs, hedge funds and movie distribution investment contracts.

But $720,000 of investor money went, instead, to pay for Blackwell's personal expenses, including child support, entertainment that included what the SEC politely referred to as "gentlemen's clubs," and the purchase of an Audi and Hummer.

Additional money was parceled out in cash to Blackwell and his associates, while more than $500,000 was used for Ponzi payments; paying old investors with new investors' money.

The former Dallas Cowboy, who isn't identified in the court papers, was referred to Blackwell by one of his ex-teammates. Blackwell pitched him on a deal involving the purchase and sale of jet fuel, as well as a fixed-income trading investment.

The ex-footballer wired $250,000 to Blackwell, the SEC said.

The Department of Homeland Security got wind of Blackwell's operations because of the large wire transfers, and arranged for an undercover agent to meet Blackwell, masquerading as a potential investor.

At one of the meetings between Blackwell and the agent, which took place at a Hooters restaurant, the allegedly fake hedge fund manager claimed that he had advanced degrees from the University of Madrid and that he had worked for the Bank of Madrid and Goldman Sachs.

None of those assertions were true, the SEC claimed.

Attempts to reach Blackwell by phone in New Mexico, where the SEC says he now resides with his father, were unsuccessful.

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Jumat, 25 Februari 2011

“Security Alert: New Spyware on Android Devices Identified - TMCnet” plus 1 more

“Security Alert: New Spyware on Android Devices Identified - TMCnet” plus 1 more


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Security Alert: New Spyware on Android Devices Identified - TMCnet

Posted:

TMCNet: Security Alert: New Spyware on Android Devices Identified

BEIJING, Feb 25, 2011 (PR Newswire Europe via COMTEX) -- On the heels of Hong Tou Tou, another two spyware programs on Android devices have been captured by NetQin Mobile Inc., a global leader in mobile security services. Named "SW.SecurePhone" and "SW.Qieting", the spyware may cause serious privacy leakage.

(Logo: http://photos.prnewswire.com/prnh/20100215/CNM002LOGO) Once installed, SW.SecurePhone will run in the background without any icon displayed. It will monitor the phone and collect data to save on the SD card. The data, including messages, call log, location of the phone, recorded sounds around the phone and pictures in the phone, will then be uploaded to a remote server every 20 minutes. This will compromise privacy as well as use internet traffic. This spyware is mainly distributed in the U.S through downloading from internet.

SW.Qieting automatically forwards messages received to a monitoring phone without the user's awareness. Meanwhile, there is no icon displayed after installation, hardly can the user be aware of the application being installed.

Security threats on Android devices are not fictions given the facts that more and more mobile threats are being captured. The typical ones include Geinimi identified by NetQin last November and Hong Tou Tou last week. Users should be more cautious than ever when enjoying the benefits of Android devices.

To stay safe, NetQin suggests users follow the tips below when using the phone: 1. Download applications from trusted sources and do check reviews, ratings and developer information before downloading.

2. Never blindly accept application requests. Closely monitor permissions requested by any application; an application should not request to do more than what it offers in its official list of features; 3. Be on alert for unusual fee deduction, as this may be a sign that your phone is infected.

4. Install a trusted security application to protect your phone from security threats. NetQin Mobile Anti-virus is protecting millions of users from mobile threats with its features of anti- virus, real-time protection, etc. NetQin Mobile Anti-virus 4.6 is available to download at http://www.netqin.com/products/antivirus/ and on Android Market.

About NetQin Founded in 2005, backed by Sequoia, Mayfield, Fidelity and Ceyuan VC, NetQin Mobile Inc. (referred to as "NetQin" hereafter) is a global leader in mobile security services, delivers proven mobile security solutions based on a cloud-computing model, including anti-virus, anti-malware, anti-spam, privacy protection, data backup and recovery, as well as data management - to more than 70 million users in more than 200 countries and regions worldwide - to protect them against mobile security threats. As the market leader in mobile security, NetQin holds 67.7% market share of China mobile security market (2010 Whitepaper on China Mobile Security Market by Frost & Sullivan, January 2011), and has received multiple industry awards and honors, including Technology Pioneer 2011 by the World Economic Forum, and the 2009 China Frost & Sullivan Award for Mobile Security Market Leadership.

For more information, please visit http://www.netqin.com.

CONTACT: Sophia Zhang of NetQin Mobile Inc., +8610-8565-5555,zhangxiuli@netqin.com

[ Back To 4g-wirelessevolution.tmcnet.com's Homepage ]

How Public Employees and Taxpayers Got Scammed - Reason.com

Posted:

Public employees have been cramming the Wisconsin state Capitol to protest the governor's plan to cut their take-home pay and gut their collective bargaining rights. You can't blame them for objecting when the state reneges on a deal. But they should have been protesting years ago, when politicians and union leaders struck a bargain that was too good to be true.

Government workers have long accepted a tradeoff. They get lower pay than they might get in the private sector, but better retirement benefits. They give up some current luxuries for more security later on. The great majority of them have pension plans with guaranteed payouts—an option that has largely disappeared from the private sector.

Most businesses long ago abandoned defined-benefit plans because they were unaffordable. The public sector has stayed with them, though—apparently to prove those private companies right. State and local governments, according to pension expert Joshua Rauh of Northwestern University, have promised $3 trillion more in benefits than they have set aside to pay for them.

Why? Because there are powerful incentives for both legislators and union leaders to do that. Politicians (particularly, though not exclusively, Democratic ones) want to ingratiate themselves with unions, whose members can be a huge help on Election Day. Union leaders want to keep their members happy and return their favored elected officials to office.

The problem, of course, is that such generosity costs a lot of money, which taxpayers may resist paying. That's where the back-loading of compensation comes in.

Promising government workers excellent retirement plans, off in the future, gratifies union members without outraging the taxpayers. The burden is postponed until some future date, which makes the process painless—until the future arrives.

Wisconsin is a typical state, with more than $45 billion in unfunded obligations by Rauh's calculation. Taken as a percentage of gross state product and state revenue, he informed me, that makes it about average or "maybe slightly worse."

But the phenomenon is a national one. Though Republican Gov. Scott Walker has targeted union negotiations, the same problem exists in states where public employees lack the collective bargaining rights at issue in Madison. South Carolina, Alabama, and Mississippi are among those, and their unfunded obligations loom even larger than Wisconsin's.

If collective bargaining gave too much power to public employee unions, you might expect states that mandate collective bargaining to have lower unfunded obligations—because the unions would be able to demand full funding. But that's not the case.

Union-friendly Illinois is one of the worst states in the country in shortchanging the public employee pension system. Over the years, elected officials have cut the state's contributions, diverted funds to pay other expenses, and borrowed money to cover current pension obligations. But no mobs of teachers and police officers descended on the state Capitol to protest, because they didn't grasp the implications.

Now we can all see the damage done. Though public employees have paid their share, the state has failed to keep up its end of the bargain. So in Illinois, as in Wisconsin and many other places, there is a conflict between what they were promised and what the citizenry is prepared to pay.

Government workers and taxpayers are both victims of this scam, which allowed extravagant pledges that don't have to be redeemed until later—by which time the governors and union officials who devised them are gone, leaving someone else to cash the check.

In the private sector, these shenanigans would never be tolerated. Public pension systems get to assume implausibly high returns on their investments, which gives the impression they can meet their future needs.

The looser rules "allow governments to base their budgets on economic fictions," writes Orin Kramer, who oversees investments for the New Jersey system, in The New York Times. You could even call it fraud.

Republicans in Congress are trying to prevent deception by requiring public pension systems to follow the same basic rules as corporations. Politicians hate the idea for the same reason the rest of us—government workers included—should welcome it. As Moody's Investors Service said in endorsing the plan, it would "provide new incentives to state and local governments to take action to ensure public-employee pension plans' long-term viability."

Creating incentives for governments to behave honestly and responsibly? It's a new concept, but it might be worth a try.

COPYRIGHT 2011 CREATORS SYNDICATE, INC.

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Kamis, 24 Februari 2011

“A Playwright’s Fictions Stay Close to Real Life - New York Times” plus 1 more

“A Playwright’s Fictions Stay Close to Real Life - New York Times” plus 1 more


A Playwright’s Fictions Stay Close to Real Life - New York Times

Posted:

[fivefilters.org: unable to retrieve full-text content]

CHICAGO — Midway through the second of the three "Trinity River Plays" at the Goodman Theater here, a small moment takes place that is hauntingly familiar to anyone with an elderly parent. Rose, played by Penny Johnson Jerald, who is weakened by ...

REVIEW. DESIGN FICTIONS All MADE UP and no where to go - Archinect

Posted:

REVIEW. MADE UP: DESIGN FICTIONS

eric chavkin

All MADE UP and no where to go

MADE UP: DESIGN FICTIONS is Art Center's new group exhibit surveying recent boundary bending design projects. The common link among the three dozen or so speculative works is an awareness of, and reaction to, 'the accelerating developments in technology'.

Before I arrived I was expecting some pretentious art scene mostly because the exhibit categories seemed half-organized in hyped hipster-speak: GET REAL, FAKING IT, AS IF: MADE BELIEF; IN YOUR DREAMS. LIES. Instead there was music to listen to and not talk.

Always the outsider I instinctively pulled back from jumping in and listened first to the ambient sounds , later to passerby talk. The space was brightly lit, and I got to watch the gallery goers.

Drone…. …Drrrrooooonnnne…. Drrrrronnnnnne….Dddddrroonnnnne…. waves of sound to be with yourself. The high brisk sky was pricked with stars.

Drrrrrrone…. drrrroooonnne ….. The colder court space was more what I was into at the moment. Drrrrroooonnnnn as in moan.

My spell was broken when curator Tim Durfee spotted my friend and enthusiastically described his installation. I backed off and listened. "This is a giant interactive scanner" I summarize: … embedded on the suspended frame are an array of 24 mini-cameras recording and transmitting multi-image projecting of the opening event in real time. There are outputs for printing, plotting and online. This I gathered is what it was all about.

Drone. From the distance I was at the installation looked good. The always positive Craig Hodgetts congratulated Durfee. I said from outside the work looked looked 'elegant'. Silence. Wrong comment. Duct tape is never elegant.

The large suspended installation by Durfee centers the exhibition space out-doing most all of the other art. At almost thirty-feet (unfolded) the folded vertical frame of woven tubing is a half-open (or half-closed) book. It successfully fills a very tall and awkward space. The rough and ready installation design is all off-the–shelf fasteners, tubing, and duct tape. As my friend says, tubing is the new 2x4. This was the most impressive part of the exhibit.

The new technologies that are not specifically mentioned are present as variations and permutations of software-based and miniaturized design. Some projects speculate on the possibilities and all are described as fictions. So every picture tells story as Rod Stewart sings so if you seen it before pass on to the next. There were a lot of 'I seen THAT before' comments.

I was hoping for some arty interactive video linked with the scan, something like face recognition linked to Facebook profiles or DMV records or something equally intrusive.. That would be something. But I was disappointed. It was like getting all dressed up and nowhere to go. I think the idea was better than the outcome and this is a work in progress.

This was more like a contemporary overview and for me there was not much in ground-breaking design or mind-bending concepts. Highlights for me were Perry Kulper's works and Benjamin Bratton's word vortex Plastic Futures Markets. It was good to see a few of Coy Howard's hand-to-mouse renderings exhibited again and kids liked playing with the Macs that were there for the software based projects. As I mentioned the suspended installation by Tim Durfee was the best piece. The exhibit is on until March 20.

Wind Tunnel Gallery
Art Center College of Design South Campus
950 South Raymond Avenue, Pasadena 91105

Janurary 29 – March 20, 2011

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Rabu, 23 Februari 2011

“Board votes 4-3 to restore traditional school calendar - Marietta Daily Journal” plus 1 more

“Board votes 4-3 to restore traditional school calendar - Marietta Daily Journal” plus 1 more


Board votes 4-3 to restore traditional school calendar - Marietta Daily Journal

Posted:

MARIETTA — Despite a majority of attendees speaking passionately in favor of the current balanced calendar, the Cobb school board voted 4-3 Thursday night to revert to a more traditional school calendar, with an Aug. 15 start state.

Board members Lynnda Eagle, David Banks and David Morgan dissented. The calendar starts school Aug. 15, ends classes on May 25 and allows a week break at Thanksgiving, a two-week break at Christmastime and a week break in April. The other options the board considered had a start date of Aug. 1 or Aug. 17.

Twenty-four teachers, parents and residents spoke to the board during its public comment session in front of a packed boardroom of about 300 people with an overflow crowd in the lobby of the Glover Street central office. Most spoke ardently in favor of the balanced calendar, with a few becoming highly critical of the newly elected board members. Tim Stultz faced the most attacks from audience members, who held signs reading: "RECALL STULTZ!" and "Stultz is NOT a voice for our schools or our children." Others waved signs that said: "Keep the Balance" and "Teachers for balance."

Gina Ulicny reminded newly elected board members, speaking directly to Kathleen Angelucci, who ran on a platform in support of a more traditional calendar, that they were not elected solely on the calendar issue.

"You may have gone on one promise, but people don't vote for you just because of one issue. Sometimes people vote for you because you're the only one running," Ulicny said, as many people in the crowd laughed. "I'm sorry if that was tacky."

Former board member Holli Cash, who was narrowly defeated by Stultz in the November election, was openly critical of him, and questioned his appointees to the SPLOST oversight Facilities and Technology Committee during her impassioned speech to the board.

"I think you should all know when I voted for the balanced calendar last year, I personally, personally supported the calendar that we had already in place with adding the February break. But it wasn't about me. It was about the people in my community," Cash said. "…We need to look at the members you appoint to the F&T. They need to have the facts and fictions. You chose to take away Ann Kirk, who was there before I came on the board, and Susan Pearson, two very active members of the community, to put on a losing politician who does not know their facts, did not ask the facts before they came to speak against the Smyrna school, and a man in the community that knows many of the neighbors in the Nickajack and Griffin area, who gave you $500."

Others, like Beth Kriebel, simply asked the board to keep the current calendar because of the disruption another new calendar would have on their families.

"I think you're taking a huge risk in changing something that greatly impacts any family that has a student in the school district," Kriebel said. "While campaign promises were made last year by some of you, what about the majority of Cobb County parents who have adjusted to the balanced calendar on good faith that no changes would be made?"

One of the few audience members who spoke for the more traditional calendar was Vivian Jackson, the co-founder of "Georgians Need Summers" who was thrown out of a November 2009 meeting during public comment for her direct address to then-board Chairman Dr. John Abraham.

"The last time I stood in front of this podium was in November 2009, and here I stand again, in front of a newly elected school board, a majority of which campaigned publicly to return our district to a traditional school calendar and to do this as soon as they took office," Jackson said. "The voters went to the ballot box, not a bogus Monkey Survey. We do not want this experiment to continue another year."

Just hours before the meeting, the district posted the results of its online calendar survey, which showed that 72 percent of the 82,000 respondents were in favor of the balanced calendar, with 17.9 percent for the Aug. 15 start date and 10.1 percent for the Aug. 17 start date. The board released the survey Feb. 11 on its website through Survey Monkey and closed it Thursday at 1 p.m.

Even before the results of the survey were released, many community members were highly critical of it, arguing that anyone could vote whether even if they did not live in the district, and that it was possible to vote more than one time for the survey.

Prior to the vote for the traditional calendar, Eagle asked the board to vote to keep the balanced calendar for two more years and then revisit the issue. Her motion was turned down in a vote of 3-4, with all of the new members and Board Chair Alison Bartlett dissenting.

"I have no personal preference for a calendar," Eagle said. "But I feel that the issue was voted on. We made a commitment to our community, to our teachers. It sends a very bad message to our community. What's going to stop us from changing the calendar in four months? What's going to stop us from changing it next year?"

Banks asked his fellow board members to listen to the 72 percent majority who voted for the balanced calendar in the district's online survey.

"Madam Chair, I am very disappointed that you have allowed the calendar issue to once again come before this board," Banks said. "The most important experts I am listening to is the Cobb community. I have heard them loud and clear and apparently they affirm the decision made in 2009 in regards to the three-year calendar. All I can say to some of my colleagues is clean out the wax that is in your ears."

Stultz said, "I think throughout this entire process people were passionate on both sides of the issue. There's just a level of anxiety about the calendar and I think hopefully we can put that to rest this evening."

In other business:

 The board voted unanimously to purchase the 18 acres of land adjacent to the Belmont Hills shopping center in Smyrna for a new Smyrna area elementary school at a price of $7.8 million. The board also voted to hire the architectural firm of Cunningham, Forehand, Matthews and Moore for $598,000 to create plans for the $22 million school.

 The board voted 4-3, with Bartlett, Angelucci and Stultz dissenting to build a ninth-grade center at Harrison High School. While a ninth-grade center for west Cobb was included in SPLOST III, its location was not specified. SPLOST Chief Doug Shepard Harrison was chosen because of the four high schools in the west Cobb area - Harrison, Hillgrove, Allatoona and Kennesaw Mountain - Harrison has the least amount of space and the most portable classrooms. Bartlett opposed the building of the center because she said the district should consider putting the project off until later in SPLOST III, when the district will be able to better evaluate growth of the schools in the west Cobb area.

—-The board also approved renovations at 10 schools throughout the district which will be funded by SPLOST.

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Fundraising Goal for Detroit RoboCop Statue Met - MyFox Detroit

Posted:

Updated: Wednesday, 16 Feb 2011, 6:20 PM EST
Published : Wednesday, 16 Feb 2011, 1:13 PM EST

SOUTHFIELD, Mich. (WJBK) - It was a 1987 cult classic. "RoboCop" is the story of a hero officer killed in a shootout, but brought back to life as a half man, half machine cyborg, who defended Detroit against crime.

Last week on Twitter, someone came up with the idea of putting up a RoboCop statue in Detroit.

Mayor Dave Bing tweeted back, "There are not any plans to erect a statue to RoboCop. Thank you for your message."

But that wasn't the end of the story.

The idea soon became a movement on Facebook and then other websites. Now, just six days later, organizers say they've exceeded their fundraising goal of $50,000 and a statue of RoboCop will soon become a reality.

John Leonard, an artist and one of the masterminds behind the online campaign, recently joined FOX 2's Huel Perkins for an in-studio interview.

HUEL: There are a lot of projects out there, a lot of symbols you could choose, why RoboCop and why do you think this caught on?

LEONARD: I think RoboCop for a long time has been a really popular character in a lot of circles, like science fictions fans, and he's really a popular international character … I think it has tremendously positive effect on people.

HUEL: Where you even born when this movie came out?

LEONARD: Yeah, I was pretty young, but I've been a fan for awhile.

HUEL: So, do you actually have the cash here or do you just have pledges for the money, and where is that money coming from?

LEONARD: The money's coming from a website called Kickstarter … It's a micro-funding website, which allows individuals to donate. It doesn't matter where they're from. It's just for people that want to support the project, and we're at $50,000 … What we're asking people to do on the Kickstarter website is that the more they donate, we're going to be able to use sort of the popularity of this project to fund some other initiatives or maybe bring attention to some other things that may be happening in the city … A lot of people have been matching their donations to the Detroit Public Schools … That's something I personally did, and there's been a lot of people that have been sort of seeing this as a way to bring a lot of positive support to the city.

HUEL: That's one of the complaints, too, because some people say in the city where the traffic signals don't work, the symphony orchestra is on strike, some people complain that this is a waste of time and money. How do you answer that?

LEONARD: I think that's up to the people that are supporting the project, and it's coming from private donations. We're not trying to take any money away from the city. We're not trying to take any money from people that don't want to give money to the project. At the same time, we're trying to use this to maybe get support for some other projects … I think there's been a lot of positive energy that's been flowing into the city because of this.

HUEL: Just to make it clear, this is private money and you plan to put up this statue on private land, right?

LEONARD: We're still talking to people about the best place to put it because I think the context and the location is really going to have an important effect on what this sends or what it says.

HUEL: That's also one of the complaints. Some people say that this statue of RoboCop only underscores the crime issue here and insults the city.

LEONARD: I think that it can be a symbol of rebirth. He's a superhero. I think if you look at the character … sort of the morals and the positive things that the character embodies are really the driving factor behind this.

We called the mayor's office, but they had no comment on this RoboCop statue issue.
 

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Selasa, 22 Februari 2011

“A Critic's Own Fictions: PW Talks with Louis Bayard - Publishers Weekly”

“A Critic's Own Fictions: PW Talks with Louis Bayard - Publishers Weekly”


A Critic's Own Fictions: PW Talks with Louis Bayard - Publishers Weekly

Posted:

Photo by Augusten Burroughs

A Critic's Own Fictions: PW Talks with Louis Bayard

In The School of Night, Bayard crafts a complex thriller centered on an obscure Elizabethan society of poets and scientists.

How did you learn about the School of Night?

Professor Google. Who, in addition to being a useful time-suck, is a very useful idea generator. Somehow or other, I landed on a page about the School of Night, and it was the name itself that captured my attention. And the more I learned, the more intrigued I was. Thomas Harriot, an author, astronomer, and mathematician, became my protagonist because, of all the school's purported members, he was the least likely to have his own book.

How has your work in politics and your current work as a critic affected your fiction writing?

I gave up working in politics a while back, and while I have strongly held beliefs, I try very hard not to let them seep into my work. By contrast, I think being a critic is pretty central to my fiction because my books tend to read other books. Mr. Timothy, to pick the most obvious example, is my alternative reading of A Christmas Carol. Even The Black Tower is a response to Vidocq's memoirs, which are really the first detective narrative in any language.

Why did you move from writing straight historicals to the bifurcated format of The School of Night?

It didn't seem like a jarring switch for me, because my first two books were very topical, urban, modern-day. I had expected the present-day strand to have the same amount of gravity as the historical strand, but for some reason, it kept insisting on being lighter and more larkish. One of the models I kept falling back on was The Maltese Falcon, which, to my mind, is a comedy: smart, literate, evil people sitting around and negotiating. I've always been intrigued by the way the barriers between past and present collapse. That's something I try to do in every book, I think. Poe, Vidocq, and Harriot—the leads of my last three books—were all outliers, and for a very good reason: they were all ahead of their time, which makes them a useful bridge between past and present.

What effect do you think Dan Brown has had on the writing of thrillers centering on long-lost secrets?

Dan Brown is definitely the elephant in the room, but that particular genre or subgenre has an older provenance. Go back to 1988 and Katherine Neville is writing The Eight. Go back a century earlier, you've got H. Rider Haggard and Robert Louis Stevenson and Conan Doyle. Half a century earlier, you've got Poe and "The Gold Bug." Nothing new under the sun.

Related Topics and Links:

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Senin, 21 Februari 2011

“REVIEW. DESIGN FICTIONS All MADE UP and no where to go - Archinect”

“REVIEW. DESIGN FICTIONS All MADE UP and no where to go - Archinect”


REVIEW. DESIGN FICTIONS All MADE UP and no where to go - Archinect

Posted:

REVIEW. MADE UP: DESIGN FICTIONS

eric chavkin

All MADE UP and no where to go

MADE UP: DESIGN FICTIONS is Art Center's new group exhibit surveying recent boundary bending design projects. The common link among the three dozen or so speculative works is an awareness of, and reaction to, 'the accelerating developments in technology'.

Before I arrived I was expecting some pretentious art scene mostly because the exhibit categories seemed half-organized in hyped hipster-speak: GET REAL, FAKING IT, AS IF: MADE BELIEF; IN YOUR DREAMS. LIES. Instead there was music to listen to and not talk.

Always the outsider I instinctively pulled back from jumping in and listened first to the ambient sounds , later to passerby talk. The space was brightly lit, and I got to watch the gallery goers.

Drone…. …Drrrrooooonnnne…. Drrrrronnnnnne….Dddddrroonnnnne…. waves of sound to be with yourself. The high brisk sky was pricked with stars.

Drrrrrrone…. drrrroooonnne ….. The colder court space was more what I was into at the moment. Drrrrroooonnnnn as in moan.

My spell was broken when curator Tim Durfee spotted my friend and enthusiastically described his installation. I backed off and listened. "This is a giant interactive scanner" I summarize: … embedded on the suspended frame are an array of 24 mini-cameras recording and transmitting multi-image projecting of the opening event in real time. There are outputs for printing, plotting and online. This I gathered is what it was all about.

Drone. From the distance I was at the installation looked good. The always positive Craig Hodgetts congratulated Durfee. I said from outside the work looked looked 'elegant'. Silence. Wrong comment. Duct tape is never elegant.

The large suspended installation by Durfee centers the exhibition space out-doing most all of the other art. At almost thirty-feet (unfolded) the folded vertical frame of woven tubing is a half-open (or half-closed) book. It successfully fills a very tall and awkward space. The rough and ready installation design is all off-the–shelf fasteners, tubing, and duct tape. As my friend says, tubing is the new 2x4. This was the most impressive part of the exhibit.

The new technologies that are not specifically mentioned are present as variations and permutations of software-based and miniaturized design. Some projects speculate on the possibilities and all are described as fictions. So every picture tells story as Rod Stewart sings so if you seen it before pass on to the next. There were a lot of 'I seen THAT before' comments.

I was hoping for some arty interactive video linked with the scan, something like face recognition linked to Facebook profiles or DMV records or something equally intrusive.. That would be something. But I was disappointed. It was like getting all dressed up and nowhere to go. I think the idea was better than the outcome and this is a work in progress.

This was more like a contemporary overview and for me there was not much in ground-breaking design or mind-bending concepts. Highlights for me were Perry Kulper's works and Benjamin Bratton's word vortex Plastic Futures Markets. It was good to see a few of Coy Howard's hand-to-mouse renderings exhibited again and kids liked playing with the Macs that were there for the software based projects. As I mentioned the suspended installation by Tim Durfee was the best piece. The exhibit is on until March 20.

Wind Tunnel Gallery
Art Center College of Design South Campus
950 South Raymond Avenue, Pasadena 91105

Janurary 29 – March 20, 2011

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Minggu, 20 Februari 2011

“REVIEW. DESIGN FICTIONS All MADE UP and no where to go - Archinect”

“REVIEW. DESIGN FICTIONS All MADE UP and no where to go - Archinect”


REVIEW. DESIGN FICTIONS All MADE UP and no where to go - Archinect

Posted:

REVIEW. MADE UP: DESIGN FICTIONS

eric chavkin

All MADE UP and no where to go

MADE UP: DESIGN FICTIONS is Art Center's new group exhibit surveying recent boundary bending design projects. The common link among the three dozen or so speculative works is an awareness of, and reaction to, 'the accelerating developments in technology'.

Before I arrived I was expecting some pretentious art scene mostly because the exhibit categories seemed half-organized in hyped hipster-speak: GET REAL, FAKING IT, AS IF: MADE BELIEF; IN YOUR DREAMS. LIES. Instead there was music to listen to and not talk.

Always the outsider I instinctively pulled back from jumping in and listened first to the ambient sounds , later to passerby talk. The space was brightly lit, and I got to watch the gallery goers.

Drone…. …Drrrrooooonnnne…. Drrrrronnnnnne….Dddddrroonnnnne…. waves of sound to be with yourself. The high brisk sky was pricked with stars.

Drrrrrrone…. drrrroooonnne ….. The colder court space was more what I was into at the moment. Drrrrroooonnnnn as in moan.

My spell was broken when curator Tim Durfee spotted my friend and enthusiastically described his installation. I backed off and listened. "This is a giant interactive scanner" I summarize: … embedded on the suspended frame are an array of 24 mini-cameras recording and transmitting multi-image projecting of the opening event in real time. There are outputs for printing, plotting and online. This I gathered is what it was all about.

Drone. From the distance I was at the installation looked good. The always positive Craig Hodgetts congratulated Durfee. I said from outside the work looked looked 'elegant'. Silence. Wrong comment. Duct tape is never elegant.

The large suspended installation by Durfee centers the exhibition space out-doing most all of the other art. At almost thirty-feet (unfolded) the folded vertical frame of woven tubing is a half-open (or half-closed) book. It successfully fills a very tall and awkward space. The rough and ready installation design is all off-the–shelf fasteners, tubing, and duct tape. As my friend says, tubing is the new 2x4. This was the most impressive part of the exhibit.

The new technologies that are not specifically mentioned are present as variations and permutations of software-based and miniaturized design. Some projects speculate on the possibilities and all are described as fictions. So every picture tells story as Rod Stewart sings so if you seen it before pass on to the next. There were a lot of 'I seen THAT before' comments.

I was hoping for some arty interactive video linked with the scan, something like face recognition linked to Facebook profiles or DMV records or something equally intrusive.. That would be something. But I was disappointed. It was like getting all dressed up and nowhere to go. I think the idea was better than the outcome and this is a work in progress.

This was more like a contemporary overview and for me there was not much in ground-breaking design or mind-bending concepts. Highlights for me were Perry Kulper's works and Benjamin Bratton's word vortex Plastic Futures Markets. It was good to see a few of Coy Howard's hand-to-mouse renderings exhibited again and kids liked playing with the Macs that were there for the software based projects. As I mentioned the suspended installation by Tim Durfee was the best piece. The exhibit is on until March 20.

Wind Tunnel Gallery
Art Center College of Design South Campus
950 South Raymond Avenue, Pasadena 91105

Janurary 29 – March 20, 2011

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Sabtu, 19 Februari 2011

“Who’s Your Mommy? The Secret Struggle Between Mothers And Nannies - Forbes (blog)”

“Who’s Your Mommy? The Secret Struggle Between Mothers And Nannies - Forbes (blog)”


Who’s Your Mommy? The Secret Struggle Between Mothers And Nannies - Forbes (blog)

Posted:

The author and a young friend.

Cameron Macdonald spent five years interviewing 34 professional mothers and 50 caregivers of their young children to examine the intricacies of the relationships that take place between two women who share the responsibilities of raising a child.

She calls them—the nannies and au pairs—shadow mothers. The role that working mothers expect from the shadow mothers is paradoxical: form a strong emotional bond with the children while at the same time never, ever threatening the mother's place. "To be simultaneously present and absent in the children's lives."

I spoke with Macdonald this week about her new book, Shadow Mothers, and the women who trusted her with the complex emotional territory of mothering and care-giving. Her take on the plight of the working mother? It's not her problem alone, it's the nation's.

The overwhelming idea of the "perfect mom" and the fraught relationship between mothers and nannies seem a recent phenomenon. Did previous generations have such contentious relationships, or did everyone simply "know their place?"

There have rarely been times in history when middle-class and upper-class American families didn't have someone helping them with childcare. When we look back at earlier periods of domestic work, either immigrants or slaves in the south, there was very much a separation of roles.

For example, certain aspects of mothering were attached to certain tasks. Historically it was completely acceptable to have wet nurses because that was considered a 'menial' part of mothering. The 'moral' part of mothering—where the mother felt it was her place to step in–had to do with introducing kids to society and passing on culture and heritage.

One of the crises that we see today is that the day-to-day acts of breastfeeding, diapering and creating activities for toddlers—which used to be things a mother would delegate to someone else– psychologists and developmental experts now tell us are critical to the mother-child connection. If you're not home with your child doing these things, then you're depriving your child of something. Namely, you.

Today so much emphasis is placed on the mother-infant bond in forming secure attachments in later life and in later achievement.   When you combine that with the fact that the majority of mothers of young children work outside the home– then you have a real tension. Ed note: (66% of mothers with young children work outside the home as of 2009).

A lot of the relationships between mothers and caregivers in the book focus on jealousy over-attachment between the caregiver and the child. When an upset child reaches for a shadow mother over her real mother, what is the mother going through?

The moms went through a range of emotions.  There's a sense for most women that it hurts, that their first impulse was to always want to be the one their baby sought for comfort. That's understandable.

What they did with that feeling was where mothers differed. Maybe the feeling was 'I'm a bad mom.' Or maybe, 'this is natural for a child with multiple caregivers.' There was the it hurts but I'm glad that my child has a nanny that she loves response.

On the other hand there was the mom who strategically hired au pairs only on one year contracts which, by default, makes the mother the central attachment in the child's life. And there was also the one who fired the nanny when the child would reach for her first.

What is the caregiver thinking?

The nannies tended to think that the "who does the child reach for test" was a ridiculous measure of whether that child was attached to the parent. But they also felt that it was part of their job description to make sure that didn't happen.

And so both mother and caregiver create necessary fictions, both in the way that the job is managed and also managing the appearance of their relationship. They create boundaries around certain "mother-only tasks," symbolic things like who gives the bath or the use of the word mommy. These were ways of enhancing the image of the mother-child relationship while at the same time lowering the perceived intensity of the image of the nanny child relationships.

Why do some mothers desire a caregiver who has no emotion for their kids. And if they don't, why are they so upset when they see signs of it? Is it proof that working mothers are simply selfish?

On the one hand, you want a caregiver that is going to make your children happy, that they're going to love. Many mothers say "Yes, my kids love the nanny, they're so happy to see her when she comes," and in the same breath say, "but when she leaves it's no big deal" with no sense of the paradox there.

But I don't think it's selfish. Working moms are in a very untenable position. The women I interviewed were not Nanny Diaries mothers. They worked hard at work, they worked hard at parenting and they worked hard at being a good employer. They wanted their children to have a good relationship with their caregiver.

What's most poignant about the data that I found is that these are not the horror stories. These people have the best intentions, and so the problems stem from outside of their relationships: structural problems of unyielding workplaces, impossible mothering standards that are then expressed in these relationships between mother and caregiver.

Part of the perfect mother ideal of so many upper middle class women, working or not,  includes the idea of preparing the perfect child—taking him to French, Tae Kwon Do and robotics classes from an extremely young age. Do you think it's mother's guilt that results in over-structuring and outlandishly high expectations of their child?

I do think that the moms, particularly the ones who worked long hours, had a fictionalized image of stay-at-home moms and also an image of what they would do "if they were home." This went along with class-based assessments of their nanny's strengths and shortcomings, and her ability to help raise a child who would grow up to be successful.

Part of the mother's job is the transmission of social class, and mothers often worried that a nanny from a different background couldn't give their children the strategic benefits that they might if they were home.

The structuring of activities also this idea of maximizing the child's potential in every way. If the nanny isn't as social as mom would like her to be, she's going to have them at art classes or dance classes. And if the nanny's not as educated, mom's going to send them to the library or the science museum.

Mothers who had more flexible work arrangements felt less of this need for control, and had more of an understanding and realistic of the expectations of their children. As their nannies said, "The kid's two. He wants to go to the same park, eat the same food, see the same kids because that's what toddlers do."

It seems that the only person in control of such a fraught relationship is the mother. So what is the solution? How can a mother change her behavior and her own sense of self-worth in order to have a healthier relationship with her children's caregiver?

I think that actually these are public problems and it would be unfair for us to argue for a private, self-help solution. I think that the structure of work needs to be more flexible to allow moms and dads to have the time they need to feel secure in their own parenting. Those parents who felt secure had a much easier time delegating to someone else.

I think we need to lighten up culturally about competitive mothering and the idea of a perfectible child. There's a lot of debate on how much our brain changes and grows throughout the life course, and how much we grow and change socially and emotionally throughout our lives. And we seem to be at a moment when we target early childhood and infancy. It's a little unreasonable and it's creating a tremendous amount of pressure.

With women now making up more than 50% of the workforce, you'd think that both men and women taking time and responsibility for their children would be equally accepted. Yet it seems the opposite is true: when a man takes time out from his workday for parenting, he's a "good dad" while a woman doing the same is considered a "bad worker." What do you make of this?

My research looked at college-educated, managerial and professional women. That's where the double standard is particularly acute. The message to women is that if you want to play with the big boys, you play by our rules.

At the same time feminism has achieved a certain victory in creating a sense that it's appropriate for men to take some role in their children's' lives. This is not to say that dads don't face a work-family strain. But research on working dads shows that the kinds of care that they do are very different from the kinds of things mom does. If someone has to stay home sick with a kid all day it's the mom. Sports events, it's dad.

Mother's tasks are often unexpected, more time intensive and more frequent—requiring more time away from the office.

There's so much attention paid to stay-at-home moms as we bolster the idea that mothering is a legitimate full time "job." But her self-empowerment seems to come at the expense of the working mother, making her feel that she will never be "as good" at home. Or, in many cases, "as good" at work. What psychological state does this leave the mother in?

I think it's important to emphasize that it's the idea of the at-home mom that's so detrimental. Not the at-home moms themselves. It's class specific too. If you're a single mom or your partner works in a blue collar job and you need to work, there's an understanding that it's tough but acceptable.

For professional women who have invested a lot in education, training and their careers, the comparison to the at-home mom is difficult. They don't want their child to be deprived because they work. Plus, there is a heightened tension because they're educated; there's a feeling that no one else can meet their children's needs the way they could, and so there's the desire to stay home.

But we also know from studies on the topic that you can't just take time off and from a demanding career expect to come back on the same rung of the ladder. It's unrealistic, and yet that's what [mothers] worry about all the time.

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Jumat, 18 Februari 2011

“Handing Out Knives to Madmen - Wall Street Journal”

“Handing Out Knives to Madmen - Wall Street Journal”


Handing Out Knives to Madmen - Wall Street Journal

Posted:

Corbis

The temple of Athena Nike (at right) on the Acropolis. The temple was completed in Socrates' lifetime.

Two and a half millennia after an Athenian philosopher drank a poisoned cup of hemlock as punishment for crimes against the state, the ancient Greek world continues to captivate us. And rightly so: New scholarship continues to reveal just how remarkable it was. Most premodern states, like too many countries today, were dominated by a small elite of ultra-privileged insiders who monopolized public goods, skimming off whatever surplus was produced by populations living near bare subsistence and thus seizing super size shares of stagnant economies. By contrast, the Greek world in the 500 years from Homer to Aristotle saw sustained economic growth and historically low level of economic inequality. Recent studies suggest that, from 800 B.C. to 300 B.C., the population of the Greek city-states increased by a factor of 10, while per capita incomes roughly doubled. That growth rate may be sluggish compared to leading 21st- century economies, but it is amazing by the standards of premodernity. What can explain such economic growth?

Free Greeks (we must never forget that this was a slave society) invested their efforts in industry, commerce and politics because they did not fear that the fruits of their effort would be expropriated by the powerful. Further, though the roughly 1,000 city-states of classical Greece competed fiercely in war, they actively exchanged goods and ideas. Among the productive innovations that spread rapidly across the Greek world were coinage, codes of law, and deliberative councils. There was no imperial center but instead a historically distinctive approach to politics.

The typical city-state was republican rather than autocratic, and a substantial part of the adult male population enjoyed participation rights. In Athens, the epoch-making "People's Revolution" in 508 B.C. resulted in democracy—the strongest form of republicanism the world had ever known—which meant universal native adult male franchise and a commitment to the principles of equal votes and freedom of speech and association. The Greek word demokratia asserted a fact and an aspiration: The people (demos) have the capacity (kratos) to make history.

Aristotle (384-322 B.C.) inhabited a world of dense, urban populations and vast trade in food and labor. By his time, perhaps half of all Greek city-states were democracies, and the philosopher opined that, "now that city-states are even larger, it is difficult for any non-democratic regime to arise." Wealth was not concentrated at the top: Laborers (citizens, foreigners and slaves alike) commanded wages far above subsistence. Archaeological excavations show that even the houses of those in the lowest quartile of income were spacious and well built. In Athens, citizens promoted ever more open access through new forms of constitutional and commercial law. They supported centers of higher education that laid the foundations of Western thought: first Plato's Academy and Isocrates' school of rhetoric; then Aristotle's Lyceum, Zeno's Stoa and Epicurus' Garden.

Socrates, the central figure of Bettany Hughes's delightful, if occasionally exasperating, book, was born in 469 B.C.—a long generation after Athens's democratic revolution—and died in 399 B.C., two generations before the Greek world reached its apex of population, economic success and democratization. Yet his Athens was already experiencing what can be considered a golden age of advancements in thought, art and politics. During Socrates' lifetime, the city also built and lost an Aegean empire that, at its height, encompassed more than 150 communities: a quarter-million Athenian residents and perhaps three times as many of their fellow Greeks.

Responsible Popularizers of the Ancient World

We have entered a Golden Age in which scholars of antiquity produce responsible popularizations aimed at readers who demand a sense of place and strong writing. Here are some models of the form.

Cleopatra by Stacy Schiff. Forget what you think you know about the seductress who employed exotic Egyptian charm to lure Julius Caesar and Marc Antony into her perfumed boudoir. Ms. Schiff shows Cleopatra as an astute ruler of a wealthy kingdom, who skillfully played a game of great-power diplomacy against the terrifying backdrop of Roman civil war. Though not a classicist herself, she has a trained historian's sensibility and has delved deeply into the ancient sources and modern scholarship.

The Spartacus War by Barry Strauss. An outstanding military historian revisits a famous slave rebellion and its gladiator leader. Spartacus time and again defeated the armies of the Roman Republic and threatened the Roman slave economy. With narrative skill and scrupulous scholarship, Mr. Strauss presents him as a charismatic leader and clever strategist who was ultimately unable to persuade his comrades to quit while they were ahead.

The Poison King by Adrienne Mayor. The story of Mithradates of Pontus, polygamist, mass-murderer, general and "Rome's deadliest enemy." Ms. Mayor illuminates antiquity's bloodiest one-day massacre of civilians in 88 B.C. and explains why it took Rome's best generals more than a quarter century to defeat him. Full disclosure: Ms. Mayor is my wife, but don't think I'm being partial—the judges who named her a finalist for last year's National Book Award shared my enthusiasm.

Parallel Lives by Plutarch. Perhaps the most successful of the ancient world's popularizers, Plutarch wrote short, engaging biographies carefully pairing examples of noble (and a few ignoble) Greeks and Romans, and remains an important source for modern biographers. The Penguin Classics series groups the Lives by topic and offers good translations.

Alexander the Great by W.W. Tarn.A grandmaster of responsible popularization from the mid-20th century, Tarn was a towering figure in classical scholarship. This hugely influential (and still very readable) biography portrayed Alexander as an idealistic warrior who sought to unite the known world in a brotherhood of mankind. Scholarship has moved on, but Tarn's passionate evocation of a "might have been" is still evocative.

Winter Quarters and Besieger of Cities by Alfred Duggan. A well- trained historian, Duggan wrote well- paced biographies and lively novels. My favorites are "Winter Quarters," a splendid evocation of Roman soldiers serving in Julius Caesar's Gaul, and "Besieger of Cities," on the exploits and failures of King Demetrius, son of Antigonus the One-Eyed, the most colorful of Alexander's successors. Be prepared to wince occasionally at attitudes toward ethnic groups.

Ms. Hughes presents a high-octane account of Socrates and his age, based on ancient literary sources, current archaeology and her own fertile imagination. She offers vivid slices of imagined Athenian life, taking us behind the public realm dominated by citizen men and exploring the lives of women, slaves and foreign residents in Socrates' city. Her biographical sketches of key figures— Pericles, the courtesan Aspasia, the military commander Alcibiades—are rich with lively detail. Here is Ms. Hughes on a religious sanctuary frequented by Athenian girls: "This sacred zone would have resembled an outpost of the rag-trade: when women died in childbirth their clothes were dedicated here; draped, hung and stored around the sanctuary; a limp gift to pitiless Artemis, to whom, probably just a few years from now, the girls would be calling out during the dreadful pangs of labor." Ms. Hughes weaves a morality tale about the danger of mixing politics with empire, wealth and religion, which ends with the trial of Socrates and the eclipse (she claims) of Athens' democratic golden age.

Though Ms. Hughes celebrates the Socratic ideal—the idea that a constantly examined life, devoted to seeking the good and true, is the only life worth living—she does not pretend to present new insights into Socratic thought. The payoff comes, instead, through re-situating the origins of moral philosophy in the context of a vibrant cultural and historical milieu. She invites the reader to travel as her companion beyond the familiar byways of Greek history, offering a full menu of "you were there" sounds, smells and textures: noisy Eleusinian cults, stinking excrement, "the dark, the whispers, the unseen skin pricks connecting flesh to flesh" at a symposium. All of this is great fun.

Yet readers must proceed with caution, for her conclusions are questionable. Athenian greatness, for Ms. Hughes, is coterminous with Socrates' life. "Socrates' lifespan marked the beginning and an end of an idea—the idealistic vision of an autonomous, tolerant, democratic Athenian city-state," she writes. Aristotle, who was born 15 years after Socrates' death and lived in a wealthy, densely populated Greek world in which democracy was increasingly prevalent, would be puzzled by Ms. Hughes's conclusions. But precipitous rises and tragic falls tend to be attractive to popular historians.

Even more problematic is that Ms. Hughes fails to provide a convincing answer to the central question of her tale: Why was Socrates tried and condemned? Socrates was a public philo sopher who could reliably be found conducting dialogues near the bankers' tables in the Agora. But he was also known to contemporaries as a teacher of aristocrats—including Alcibiades and Critias, who became enemies of the Athenian democracy, the latter in a blood-drenched postwar coup d'état in 404-03 B.C.

Protected by an amnesty, Socrates could not be prosecuted for having taught the tyrant Critias to despise democracy. But the philosopher's behavior following the democratic restoration was not similarly protected—and both before and after the coup his behavior included engaging others in public dialogues. Athenians had always held citizens legally responsible for the effects of their public speech. Socrates' dialogues were intended to make his listeners behave differently, and he denied that good ideas ever produced bad behavior. But the monstrous acts of Critias (among others) seemed evidence to the contrary.

And so Socrates' accusers were free to claim that, whether he realized it or not, he was a public danger, especially to impressionable youths. Since his public speech included sharp criticism of demo cracy, they could imply that Socrates, in effect, handed out knives to madmen, that when he denied dialogue could ever be dangerous Socrates was disingenuous or deluded, that his irresponsible speech was likely to have bad effects in the future—as it seemingly had in the past.

The charge brought against Socrates, by a team of voluntary prosecutors, was impiety—they accused him of impropriety in respect to the gods and corruption of the youth. I would suggest that Socrates was convicted not because the jurors were religious fanatics, not because they had lost their democratic tolerance, but because he seemed to them unreasonably unwilling to take responsibility for what he said in public. Today we allow pundits to say what they please, even if their speech has pernicious or even fatal effects. I think we are right to do so, and I think that 280 (out of 501) Athenian jurymen were wrong when they voted to condemn Socrates. But I think they were right to believe that when prominent public figures refuse to take personal responsibility for the consequences of their speech, democracy is in grave danger.

The Hemlock Cup: Socrates, Athens and the Search for the Good Life

By Bettany Hughes
Knopf, 484 pages, $35

Beyond her failure to convincingly interpret Socrates' trial, Ms. Hughes gets some facts wrong: The Athenian population did not increase five-fold during Socrates' life; nor did Athens lose four-fifths of its population during the Peloponnesian War. Papyrus does not rot within weeks in the Greek climate. Socrates' main weapon as a soldier in the Athenian army was not a broad-sword. Pericles was never elected "chief democrat." The walls of Athens did not separate citizen-haves from non-citizen have-nots. And far from despising the disabled, Athens paid handicapped citizens a daily wage.

Ms. Hughes is also too uncritical of her sources: She offers late Roman accounts of the Athenian persecution of intellectuals, long ago rejected as tendentious fictions by serious scholars, as fact and even inflates them into a systematic regime of censorship, book-burning and execution. She imagines that "scores— perhaps hundreds" of intellectuals shared Socrates' fate. If this were true, Socrates' trial would be unsurprising, but Ms. Hughes's claim is not supported by any credible evidence.

All the same, and despite these glitches, do read this book, both because of its marvelous storytelling and because it will stimulate a desire to learn more about the ancient world. Ms. Hughes's work joins a growing shelf of books about antiquity that exemplify the honorable goal of responsible popularization. Readers attracted to the splendid range of classical texts excerpted by Ms. Hughes will want to read the full versions; almost all are available in modern translations. (Start with Plato, in the complete edition from Hackett, edited by John Cooper—superb translations, with helpful introductions by one of the world's leading experts.) Socrates would be pleased if his story awakened a few modern Americans from moral slumber.

—Mr. Ober, chairman of political science and professor of classics at Stanford, is author of "Democracy and Knowledge: Innovation and Learning in Classical Athens."

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